He spent months visiting Auschwitz as a student in Poland in the 1980s and wrote a book of poems about it.
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Rohrig, 48, who took a leave from his job teaching Jewish studies at a Brooklyn private school to promote the film, volunteers for a Jewish burial society. “Like on the surface of water - even if you blow the water, you can immediately see, it shows everything.” “I had to be superfocused, because every little bit of change” mattered, Mr. Rohrig rehearse for hours before filming takes, three to four minutes each, with a 35-millimeter camera placed about 20 inches from his face. Nemes met while studying at New York University’s film school. The film plays out on the face of Saul, a debut film performance by Geza Rohrig, a Hungarian poet whom Mr. It follows Saul Auslander, a Hungarian member of the Sonderkommando, the Jews forced to dispose of the human remains from the gas chambers, as he tries to rescue a dead boy’s body from meeting the fate of the ovens. “Son of Saul” is filmed in long, restless takes, with no soundtrack besides the grim cacophony of a death camp - the slamming of doors, the sifting through possessions - and is set over the course of a day and a half in October 1944.
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In “Son of Saul” Laszlo Nemes Expands the Language of Holocaust Films The following quote is from the news article about the film: